How big is the European printing industry

A question often posed to me is: how big is the European printing industry. The answer depends very much on the markets you want to include. The obvious ones in the graphic arts industry include Graphic Arts print (which subsumes in the statistics commercial print and also more specialised printers like book, catalogue, forms or magazine printers). The only application specific type of printing company split out in the statistics is newspaper print. Prepress and postpress companies contribute to the graphic arts industry revenue, although strictly speaking they do not print. Important print producers that should be added, while not included in graphic arts statistics, are label and packaging printers – although commercial printers produce smaller volumes of label and packaging print as well as part of their services. Often overlooked in the statistics are photocopy services and in-house printing sites, the latter including data centre print.

There are some markets more difficult to size. Direct mail is produced as part of commercial print but also in advertising services – a portion that cannot be easily identified. Décor print (like wallpaper, furnishing, ceramics or textile) is missing as well, as the value of the print produced is hidden in the goods production. Also some small or niche packaging segments lack a good data basis.

In the view I recommend, those 10 segments contribute to the European printing industry revenue:

  • Printing of newspapers
  • Graphic Arts Print
  • Pre-press and pre-media services
  • Binding and related services
  • Folding carton
  • Flex Pack printing
  • Corrugated printing
  • Label printing
  • Photocopy services
  • In-house printing

Graphic Arts print (including publication and specialty print) contributes the biggest single chunk to the European printing revenue. Label and packaging printers combined add about the same amount (although some additional packaging output stems from commercial print, as mentioned above). The high substrate costs in label and packaging print drive up the revenues, while by surface area printed, commercial print would a much higher. Other segments are noticeably smaller but still add to the pie.

Share of Europe print industry sectors
Europe print industry sectors by revenue size

Considering all the segments or markets, the European printing industry had revenues of about €170 bn in 2022. The total European print revenues have been surprisingly stable in recent years, by balancing revenue declines in Western Europe with the revenue gains in Eastern Europe, stemming from demand increases and exports into Western Europe. The exception has been the pandemic year of 2020 with a decisive decline, followed by a recovery in 2021 and especially in 2022.

It should be kept in mind, however, that 2022 revenues are bolstered by a high inflation rate driven by energy, paper, and supplies prices. These have been passed on to the customers. The higher prices have an adverse affect on demand however, so we will not only see a demand decline but also a price erosion driving revenues lower in the coming years, especially in commercial print.

A breakout by country and timelines for graphic arts segments, also by size class, can be found in the 2024 European Print Industry Sizing report. If you need more details on how big is the European printing industry is and how to order the report, please continue here.

Sizing the European Printing Industry

The European printing industry is big, no doubt. However, it is a surprisingly difficult task to determine how big the printing industry in Europe actually is. The available data is incomplete, non-comparable, or even non-existent. As a result gaps have to be filled in, data normalised (to make it comparable), different sourced reconciled, and overlaps in segments sorted out. In short, some in-depth industry expertise is required. Digitalprintexpert.de undertook a 2024 European Print Industry Sizing based on the latest data, facilitated by 20 years of experience in print industry sizing by Ralf Schlözer. He is also the European Editor at WhatTheyThink.com and

The data has been compiled from a variety of sources, complemented by estimates and forecasts, and formatted in a way to make all countries and segments comparable. Excel pivot tables allow for straightforward comparisons and custom selections, instead of having to copy and paste pre-defined tables. The data is based on the year 2022, the most recent year for which a sufficient data basis is available.

Covered in the report are the following countries:

  • Austria
  • Belgium
  • Bulgaria
  • Croatia
  • Czechia
  • Denmark
  • Finland
  • France
  • Germany
  • Greece
  • Hungary
  • Ireland
  • Italy
  • Netherlands
  • Norway
  • Poland
  • Portugal
  • Romania
  • Slovakia
  • Slovenia
  • Spain
  • Sweden
  • Switzerland
  • United Kingdom

 

The data includes:

  1. Graphic arts industry, split by commercial print, newspaper print, prepress, and finishing
  • for revenue, number of establishments and employment
  • historical data since 2012 and forecast to 2030

 

  1. Number of graphic arts companies by size classes

– size classes of below 10 employees, 10 to 19, 20 to 49, 50 to 249, and 250+ employees

– historical data from 2012 to 2022 in 2-year increments

 

  1. Full print industry sizing for the year 2022 by the number of establishments and revenue, the following segments:

– graphic arts industry, split by commercial print, newspaper print, prepress and postpress

– Packaging print split by folding carton, flexible packaging, corrugated and label print

– Photocopying services

– In-house printing (as estimates)

 

The European print industry sizing report consists of three easy-to-use Excel pivot tables, which allow for an comfortable selection and analysis of the data. An accompanying PowerPoint presentation provides explanations and definitions. The report can be purchased for €1,800 from digitalprintexpert.de

Additional insight can be booked as a webinar or on-site presentation.

Please contact ralf@digitalprintexpert.de for further details.

The Inkjet Integrator Series

For Inkjet Insight I am preparing an Inkjet Integrator Series, profiling companies and their services offered. Some basic considerations on which companies are going to be covered are laid out in a kick-off article on Inkjet Insight. In short, we cover companies buying in inkjet heads and designing inks, transport, and handling for bespoke print solutions. This can stretch from commercial to packaging, industrial, and even 3D-print and electronics. Often companies develop a set of modules to pick and combine with a lot of leeway to include custom components.

I am impressed with how integrators come up with efficient solutions for complex problems, considering the typical company size of about 30 employees. And how they compete against inkjet behemoths often 100 times the size is fascinating as well. There is one area integrators often fall behind and that is talking to the market. The Inkjet Integrator Series is hopefully changing this a bit.

The series kicked off with an article on NEOS, a company I have known for some years now. I already completed three more interviews to turn into written articles and the series will be continued shortly. The plan is to add one or two profiles per month. Inkjet Insight decided to have the articles outside of the paywall so users can get informed on the capabilities of the players for free. Please keep in mind that the articles are not sponsored and reflect the view of the author.

NEOS Bombardier module
Inkjet Integrator module – custom configurable

If you think your company should be considered as well, please contact me at ralf@digitalprintexpert.de

Xerox reorganises (again)

There is no other brand name connected as much to digital print as Xerox. Accordingly, there is considerable attention when an announcement is made that Xerox reorganises (again).

To be honest, Xerox reinvented itself a couple of times. More recently Xerox acquired ACS in 2010 to diversify into services. After some years of little growth and synergies between the two business units, Xerox spun off the service business in 2016 as Conduent. In 2018 a new leadership team under John Visentin was installed by “activist investors” Icahn and Dyson, after terminating the Fujifilm merger and the ensuing divorce from Fuji Xerox. 2019/2020 saw the failed bid for HP takeover. This was followed by donating the PARC research centre, selling off portions of the software business, shuttering the former Impika inkjet activities in France, and terminating the liquid metal 3D print project.

Evidence is rushing in – printed is better

There has been some confirmations before that printed is better for learning, now governments are taking action. In September 2023 the Swedish government reversed its decision by the National Agency for Education to make digital devices mandatory in preschools and instead focus more on printed materials. It plans to go further and to completely end digital learning for children under the age 6. It follows a drop in the reading scores of pupils since 2016. The government even set 60 million euros aside for book purchases for the country’s schools this year.

The decision follows expert advice from the renowned Karolinska Institute that highlighted the lack of substantiated positive findings and emphasized the significant negative effects of digitizing schools on students’ knowledge acquisition. “There’s clear scientific evidence that digital tools impair rather than enhance student learning,”